How To Improve the Acoustics of a Room (2024)

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  • Written by Eduardo Souza | Translated by José Tomás Franco

If you live in an apartment, you may unintentionally know the details of your neighbor's life by overhearing conversations through your shared walls. Or you keep awake when the dog that lives in the apartment above decides to take a walk in the middle of the night. If so, you may live in an apartment with inadequate sound insulation in its walls and/or slabs. As cities grow increasingly dense and builders seek to increase their profit margins, it is not uncommon for acoustic comfort to be overlooked in many architectural projects. When the resulting noise is excessive or unwanted, it impacts the human body, the mind, and daily activities. While not all spaces need to seal all types of sound, creating spaces with an adequate degree of soundproofing improves the quality of life of all users.

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Sound insulation is the ability to soundproof an environment in relation to its exterior. That is, it can be used to "cover" noise coming in from the street or prevent sounds generated inside the space from "seeping" outwards. This process relies on the ability of surfaces to create barriers, preventing noise from passing from one environment to another. To achieve an acoustically isolated environment, sound waves must be completely reflected or absorbed by a room's material surfaces without emitting any sound on the other side.

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Cortesia de Hunter Douglas Architectural

But an environment with good sound insulation does not always coincide with quality acoustics. We have already covered this topic in a previous article. All building materials have acoustic properties because they absorb, reflect, or transmit the sounds that affect them. When sound waves are reflected, they cause an increase in the general echo and reverberation levels in a space. That is, a space built with reflective materials, such as concrete, produces multiple echoes and little clarity of sound, which may be desirable for certain uses such as churches. In contrast, acoustic absorption is a phenomenon that minimizes the reflection of sound waves in an environment, making the sound disappear immediately after its emission. The more absorbent the material that is added to the room, the shorter the reverberation time.

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(1) Incident Sound / (2) Reflected Sound / (3) Transmitted Sound / (4) Absorbed Sound

This is where we find most of the confusion around acoustic materials. To achieve soundproofing we need large masses, or thick and heavy walls and slabs. Materials considered "good sound absorbers" are light, soft, and porous. Materials considered "good insulators" are heavy, hard, and smooth. If the idea is to reduce the noise entering or leaving a room, the structural mass of the walls, the floor, and the ceiling must be increased, and the air spaces from windows and doors must be sealed. But if the purpose is to make the environment more pleasant, with less reverberation, what we seek is to absorb the sound. For auditoriums, theaters, and cinemas, where the acoustics should be as close to ideal as possible, an analysis of the materials of all surfaces in the rooms should be performed, defining how much absorption and reflection is desired at each point. For this, the experience of an acoustics expert is essential.

To achieve basic knowledge, it is important to know the characteristics of some of the most common materials. For this purpose, there are tables that list the absorption coefficients of each material when exposed to certain frequencies (Hertz). It varies from 0.00 (perfectly reflective) to 1.00 (perfectly absorbent). For example, a coefficient of 0.2 means that 20% of the sound energy that comes into contact with this material is absorbed and is not reflected back in the room. That is, this material is 80% reflective for a given sound frequency. To standardize these quantities, the label NRC refers to the "Noise Reduction Coefficient" and is a standard classification that corresponds to the arithmetic mean of the absorption coefficients for the frequencies 250, 500, 1000 and 2000 Hz. To help understand this classification, we share some materials and their respective noise reduction coefficients.

L4 House / Luciano Kruk. Image © Daniela Mac Adden

Less absorbent materials

  • Plastered masonry | 0.025
  • Exposed concrete | 0.03
  • Glass | 0.03
  • Marble | 0.01
  • Granite | 0.015
  • Metal surface | 0.025
  • Ceramics | 0.015
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© Dorian Shy, Framework Photographic

More absorbent materials

  • Glass wool | 0.68
  • Rock wool | 0.72
  • Acoustic foams | 0.5
  • Wood fiber acousticpanels | 0.57
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Cortesia de Acoustical Surfaces

Having knowledge of these materials can help architects gain a better understanding of the behavior of designed spaces. Acoustic comfort may depend on good sound absorption, efficient sound insulation, or both. While it is possible to combine reflective and absorbent materials in the same space, there are products on the market that serve the same purpose. In practical terms, the choice of a material for acoustic absorption goes beyond technical data, such as absorption coefficient and noise frequency; it also depends on cost, resistance, availability, and appearance, among others. The important thing is to understand the needs of the environment and the characteristics of each material used in the project. When choosing these materials, we must combine all the necessary elements to obtain the best result according to the purpose of the project and the requirements of its users.

Originally published onAugust30,2020. Updated on May 21, 2021.

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How To Improve the Acoustics of a Room (19)

Eduardo Souza

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Cite: Souza, Eduardo. "How To Improve the Acoustics of a Room" [O que levar em conta para melhorar o conforto acústico?] 21 May 2021. ArchDaily. (Trans. Franco, José Tomás) Accessed . <https://www.archdaily.com/924700/how-to-improve-the-acoustics-of-a-room&gt ISSN 0719-8884

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How To Improve the Acoustics of a Room (2024)

FAQs

How To Improve the Acoustics of a Room? ›

One of the easiest and most effective improvements to the room's acoustic quality you can make is simply to reduce reflective surfaces and increase absorbent surfaces. Carpeting, upholstered furniture and curtains can all be added to a room as part of an overall room acoustics design.

What makes bad acoustics in a room? ›

Sound waves can bounce around freely if a space has too many hard surfaces and not enough soft, absorbent materials. The more sounds reflect off surfaces in one area, the more unpleasant it is to listen.

How can I improve the sound quality in my room? ›

Sound waves need to be broken up (diffused), and the best way of doing this is by using objects that are not soft. Your coffee table, pedestals with plants, anything that has a hard surface in the room actually helps improve the acoustics as it breaks up the sound waves.

How can I improve my listening room acoustics? ›

The rear wall is the surface that would benefit most from diffusion products or a bookshelf. Bare floor between your listening spot and your speakers should be covered with an area rug. If you find any reflective points on your ceiling, apply sound panels that extend at least 12" on either side of each marked location.

What creates good acoustics? ›

Good acoustics are characterized by how quickly the pressure waves abeyance. The pressure waves are calmed by the help of sound-absorbing materials. When we have a room only consisting of hard surfaces, as brick walls and concrete floor, the soundwaves will be thrown around in the room for a long time before settling.

Do high ceilings cause bad acoustics? ›

Higher ceilings increase volume in a room meaning sound is lost in the 'dead space' above our heads. They also result in higher reverberation times as sound waves have to travel a long way before they are reflected by a hard surface. Both of these reasons combined mean that high ceilings are bad for room acoustics.

What kind of rooms have good acoustics? ›

Sound professionals use the Greek Golden Mean Proportions, where the room's width is 1.6 times the height and the length is 2.6 times the height. Larger rooms let sound blow off steam. Because it takes longer for the noise to reach the walls, echoes and reverberations are less noticeable.

How to test the acoustics of a room? ›

This can be done with an acoustic testing microphone or sound level meter that is placed around your room. The microphone should measure in a 360-degree pattern and all points should be connected and integrated on a graph according to their arrival time for an accurate representation of the impulse response.

How to get more bass in a room? ›

How to Fix the “Bass” in your room
  1. Keep you Speakers to fire along the Length of the Room:
  2. Place your Speakers correctly.
  3. Place your Speakers along 38% from the Front Wall.
  4. Don't Place your Speakers on your Desk.
  5. Make Bass Traps:
  6. Get a Sub:
Oct 21, 2021

Does soundproofing improve acoustics? ›

Soundproofing is all about sound isolation and has nothing to do with treating the acoustics in a room. The objective of soundproofing techniques is to make the room “quieter”. Sound treatment, on the other hand, is a way to make better-sounding recordings inside a room by controlling sound reflections.

What are bad acoustics? ›

Certain acoustic problems often result from improper design or from construction limitations. If large echoes are to be avoided, focusing of the sound wave must be avoided. Smooth, curved reflecting surfaces such as domes and curved walls act as focusing elements, creating large echoes and leading to bad texture.

Is there an app to test the acoustics of a room? ›

Impulso FAQ's. Impulso is an app for measuring room acoustics. It allows you to measure the acoustic response of your room using your iPhone. You can view the reverberation time (RT) in octave bands and then simulate how the acoustic response of your room is improved when adding Artnovion acoustic products.

What are the factors affecting acoustics? ›

Reverberation Time
  • providing windows and openings.
  • arranging full capacity of audience.
  • completely covering the floor with carpets.
  • heavy curtains with folds.
  • decorating the walls with drawing boards, picture boards.

How do you know if a room has good acoustics? ›

Common problems include excessive sound reverberation, echoes, irregular sound volume, and dead spots. You can assess the acoustics of a room by performing a sound check and creating measurements for echo, frequency response, reverberation time, and clarity.

How to check acoustics in a room? ›

Then go inside and try the clap. You should be able to hear the initial clap and then some additional sound as it reflects off walls and other objects and travels back to your ears. If your room has a lot of reverberation and the sound seems to continue, this could present acoustical problems.

What are the acoustic problems in small rooms? ›

Small rooms typically suffer from difficult acoustic problems more than larger rooms, primarily because of flutter echoes and early reflections that are too short. Small rooms also tend to have the worst room modes or standing wave problems, usually with not enough space in the room to treat them correctly.

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